91

Tsi Non:we Onkwatonhnhets (Y-Intersection)

Bench Design

Y-Intersection Bench

Y-Intersection Bench

About

Over the past three years, the Office of Indigenous Initiatives has been working in close collaboration with local Indigenous artists, cultural advisors, consultants, FMAS, and many others to reimagine and redesign the Y-Intersection — now named Tsi Non:we Onkwatonhnhets.This initiative aims to create a functional gathering space that challenges Western ways of thinking by thoughtfully integrating Indigenous worldviews, art, and culture throughout the space. This initiative is in response to Call #26 – Indigeneity in public space at 91. The design of the space is inspired by Kanien’kehá:ka history and themes as a way to honour the land 91 continues to occupy.

Within this initiative, OII is making an emphasis on ethical collaboration with Indigenous partners throughout the entire process. The creation of an advisory council including community members, elders, and members of the OII team gather to provide advice and ensure work and art integration proceeds in a good way. There is a priority on Indigenous artistry, purchases, and voices within the process. This project is also in collaboration with Alanah Jewell, a young Indigenous artist who designed the artwork being implemented at the intersection.

Alanah Jewell Artist Statement

All In Ceremony: Giving Thanks

All In Ceremony is divided into two major focuses: the Turtle Shell, representing the Haudenosaunee Thanksgiving Address, and the Eight Benches, representing species Indigenous to Kawennote Tiohtià:ke, or Montréal. Together, these pieces come together to give thanks, pay respect and to advocate for the preservation of our cultures, ceremonies, languages and the native species we live alongside.

The Turtle Shell

The Turtle Shell starts in the east and moves in a counter-clockwise direction, following the direction Haudenosaunee people use in ceremony – including the Mohawk, Oneida, Cayguga, Onondoga, Seneca and Tuscarora people. The Turtle Shell holds 13 major elements, representing the 13 full moons and each being that is given thanks during the Ohen:ton Karihwatehkwen (Thanksgiving Address). The Ohen:ton Karihwatehkwen is known as the Words That Come Before All Else and is spoken in the language as an opening and closing to gatherings and ceremony. It is a way for Haudenosaunee to give thanks to each life-sustaining force and to connect with the natural world on a spiritual level.

We invite you to participate in your own Ohen:ton Karihwatehkwen and give thanks to our relatives that provide us with sustenance, beauty and abundance. Each moment in our physical life is ceremony, and we encourage you to always give thanks.

Ohen:ton Karihwatehkwen (Thanksgiving Address)

We put our minds together to give thanks to the People.
Now our minds are one.

We put our minds together to give thanks to Mother Earth.
Now our minds are one.

We put our minds together to give thanks to the Thunderers.
Now our minds are one.

We put our minds together to give thanks to the Four Winds.
Now our minds are one.

We put our minds together to give thanks to the Birds and Trees.
Now our minds are one.

We put our minds together to give thanks to the Animals.
Now our minds are one.

We put our minds together to give thanks to the Medicines.
Now our minds are one.

We put our minds together to give thanks to the Food Plants.
Now our minds are one.

We put our minds together to give thanks to the Plants.
Now our minds are one.

We put our minds together to give thanks to the Fish and Waters.
Now our minds are one.

We put our minds together to give thanks to the Creator.
Now our minds are one.

We put our minds together to give thanks to Grandmother Moon and Stars.
Now our minds are one.

We put our minds together to give thanks to the Elder Brother the Sun.
Now our minds are one.

The Eight Benches

The Eight Benches feature many species that are Indigenous to Kawennote Tiohtià:ke and the surrounding area. Kawennote Tiohtià:ke refers to the Kanien’keha (Mohawk language) name for Montréal and refers to it being a place where “the people divided” or it being “an island broken in two”. It has always been significant for Indigenous people: it continues to act as a meeting place for the Haudenosaunee and provides sustenance for our communities.

These species have existed here for thousands of years and each has a valuable place in Creation. However, many of the creatures featured on the benches have been lost or forgotten because of colonization. Intensive agriculture, urbanization and industrial activities have led to railroads, highways, hydro transmission lines, pollution, bridges and the St. Lawrence Seaway – to name a few – all greatly impacted the natural ecosystem of the area.

The diversity found on Kawennote Tiohtià:ke makes it unique and worthy of protection. This territory houses:

  • More than 700 species of vascular plants, some of which are endangered
  • More than 90 species of trees
  • More than 180 species of birds
  • More than 20 species of mammals
  • Thousands of species of insects

These benches act as a visual reminder of the native species that once lived in abundance on Kawennote Tiohtià:ke, and as a way to encourage people to respect and protect the natural world. When viewing the benches, we invite you to start in the east and move in a clockwise direction, reflecting on each of the Indigenous species featured.

#1: Eastern screech owl, American ginseng, deer mouse and bloodroot

#2: Great blue heron, fragrant sumac, black swallowtail and bulrushes

#3: Kawennote Tiohtià:ke: Mount Royal

#4: Barn swallow, red squirrel, oak, red maple and blue spotted salamander

#5: Beaver, mayflower, waterlily and wild garlic/leek

#6: Red fox, sensitive fern, brown snake and wild ginger

#7: Kawennote Tiohtià:ke: cormorant and Lachine Rapids

#8: American eel, sturgeon, butternut hickory, marsh marigold and painted turtle

Tsi Non:we Onkwatonhnhets(Y-Intersection) Chronology

2022

July: PLANiT contracted to engage on Call to Action 26 - Indigeneity in Public Spaces

October: Phillip White-Cree contracted to provide concept design

2023

March: Engagement Project Summary Report Presented by PLANiT Consulting

April: Phillip White-Cree design submitted

June: Alanah Jewell invited by OII to collaborate

December: Public tender process for construction issued

2024

January: Alanah Jewell contracted to provide artwork

March – April: OII and artist consultations with community elders

June: Construction begins

July-August: Collaborative artist-OII process to finalize design & artwork

September: Artwork submitted by Alanah Jewell

2025

July: Indigenous Advisory Council discusses and selects name and wording of signage

August: Name and signage wording approved by Provost

September: Construction completed

October: Opening Ceremony

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